This monograph is the first of its kind to study Doshi's contributions to painting. While his multicolored conceptual drawings for his building designs underscore his practical sensibilities, his paintings verge from the physical and mathematical constraints of architecture to create more abstract renderings of space. Executed in dark, muted colors, they incorporate silhouettes of shapes, people and buildings in various overlapping perspectives. In both of his practices, Doshi combines Western influence and Indian sensibilities, resulting in a cognitive universality that prioritizes experience and expression.